Sweepstake Prize: a family evening with President Donald Trump (fiction!)

Hello All:

The other night I had an interesting dream about our president. I kind of giggled when waking up because it felt like he were my friend. It's not the first time I've dreamt of Trump. Shortly after the 2016 election, he came to me in a dream to tell me we had a lot of work to do. After the 2020 Election was stolen I had a dream that he approached in his limousine and gave me the power fist.

And today's story is my most recent dream. No, the family in the cover artwork is not my own family. They are AI generated.

Evening with Donald Trump

Our family had won a sweepstakes. The prize was unusual, to say the least—a visit from none other than President Donald Trump.

The day of the visit arrived, and with it, a large SUV limousine pulled up to our house. A chauffeur in a crisp uniform stepped out and opened the door for Trump who emerged, dressed in a sharp suit, his signature red tie neatly knotted. He greeted us with a warm smile and a firm handshake; exchanged pleasantries as we settled into the limousine.

Of course this is the President of the United States and you have to make the most of the time. Whoever was in charge of this event had to improvise a plan for the evening and settled on a cheesy art gallery featuring dollhouses. It was weird, and we all hoped it would be enough to keep the President entertained.

As mentioned before, the art gallery was a quirky place, filled with intricate dollhouses that showcased various eras and styles. Trump seemed genuinely amused by the display, taking his time to examine each one with a curious eye.We felt a sense of relief as he laughed and joked about the tiny details.

We spent the evening wandering through the gallery, taking photos in front of the dollhouses. Trump was a good sport about it, posing for selfies and even striking a few playful poses. We couldn't believe how well the evening was going, despite the odd circumstances.

After the gallery, we decided to grab a late dinner at a nearby bar, complete with plenty of Secret Service agents to keep the president safe. The atmosphere was lively, with patrons enjoying their drinks and chatting loudly. People were excited to see President Trump. And he insisted on paying for the meal which left us with a strange mix of gratitude and disbelief. We clinked glasses and shared stories, and for a moment, it felt like we were all just ordinary people enjoying a casual outing. Trump was charming and engaging, and I couldn't help but admire his ability to adapt to just about everything. As for the family, we continued to take photos, capturing moments of laughter and camaraderie.

At the end of the evening when President Trump departed for the White House, we noticed something strange. We tried to access the photos on our phone, but they were nowhere to be found. We checked our Google Photos app, only to discover that every picture with Trump in it had been deleted, leaving a feeling of pang of disappointment, wondering if it was a security feature or a political statement from the app.

Earl of Sandwich

 Hello All:

We have a little flashback story for you, at least for those who might have been following the blog for the past 20+ years. If you've been around for a while, maybe you remember this one. Oh, but I've updated the cover artwork with the use of Google Gemini. Everything else is the same.

Earl of Sandwich

Earl of Sandwich was a great gambler who lived in the land of Sandwich (of course). He was a nobleman, and as a result was privileged to dine with the royal family and noble class in the palace with the king and queen.

One night, Earl was at a pub making bets and gambling as usual. One of the patrons of the pub mentioned some of the forbidden foods that could not be enjoyed by the regular class as the king had declared those foods to be royal. While listening to this discussion, Earl was enjoying a sandwich, a creation he had made popular in a card game and was his trademark meal while playing.

Earl had a great idea for a bet. "This sandwich that you see me eating: many of you would agree that the noble and royal class wouldn't be caught dead eating this in the palace. Who would like to match a bet with me that I could get the king, the queen, the royal family and noble class to enjoy sandwiches in the palace?"

Everyone in the pub laughed at Earl. Everyone knew that it was required to eat with forks and knives in the palace. And to rip away at meat & cheese, wedged between bread, was the most ill-mannered behavior of peasants. Seeing that the odds were stacked up against Earl, everyone in the pub pooled their money together.

The following evening, Earl stepped into the palace diner and sat down in his usual spot. There were many noblemen and women who planned on dining with the king and queen. The servers brought out stuffed peacock, pheasant and fruit. One could eat fruit with the hands, of course. But the juices that may have run while taking a bite must be quickly removed as if not to offend the king and his guests. The bones of birds needed to be held daintily so that the meat could be pulled away with forks and knives. For you see, the king & queen, royal family and noble class were expected to act civilized in comparison to the working class and peasants.

Earl took a couple bites of the peacock and then looked up at one of the servers. "What is this rubbish?"

Gasps could be heard from those dining around him.

"Excuse me, Sir?" The server had never heard complaints from person dining with the king.

"This rubbish you are serving: you actually feed this to the royal family and noble class? Take my plate back and make me something else. Put down a piece of bread, layer some meat and cheese on it and top it off with some lettuce and tomato. Finally, put another piece of bread on top and bring it to me. And bring me more wine!"

Earl took everyone in the palace diner by surprise with the way he was ordering the servers to bring him something else. Most people wondered if the king had been insulted; but he continued to watch while eating.

Soon the server returned with Earl's request. No sooner had the plate been set in front of him; Earl took a hearty bite of the sandwich. The entire dining hall was agape upon seeing the nobleman pick up this mixture of bread, meat, cheese and vegetables with his bare hands. He opened his mouth and tore away at the combination and proceeded to noisily chew.

At that, the king dropped his fork. He was outraged! "How dare you come in this palace and eat a hideous meal of meat and cheese between two slices of bread like some peasant? How dare you insult the royal family and all these noblemen and women? What's this all about?"

The guards drew their swords with a rapid approach towards Earl as he was about to be punished for his ill manners. But he quickly spoke in defense, "My dear king and queen, family, fellow noblemen and women: there is nothing wrong with this meal. Many countries have their dishes that are recognizably the creation of that country. Take Italy; they have Spaghetti. China has chop-suey. What does Sandwich have? Until now, we have had nothing. But this night, going forward, we have the creation that I call the sandwich. The whole world will recognize the sandwich that came from the wonderful land of Sandwich!

The king motioned the guards to lower their swords and then ordered everyone in the dining room to cease eating. The servers were commanded to take away the food and bring back sandwiches for everyone. The servers did as asked and quickly returned plates of sandwiches with more wine. At first, the royal family and noble class were a little uncomfortable eating the sandwiches with their hands. But they soon learned the pleasure of enjoying a good, hearty sandwich.

Soon it was announced in the land of Sandwich that placing meat, cheese and other items in between two slices of bread was to be called a sandwich. It was declared that a sandwich could only be enjoyed by the royal and noble class. Any of the common or working class found eating a sandwich would be punished. But although ordinary citizens were informed of the new, forbidden fruit; the royal meal was enjoyed by the common and working class behind closed doors at dinner time. Extreme caution had to be exercised when enjoying a sandwich because the penalty could be harsh taxes, prison, even torture.

A secret informant to the king heard word of this illegal eating of sandwiches behind closed doors by the common and working class, and informed the king. The new knowledge launched surprise visits by soldiers and police to the homes of common and working class during meal time. Many people were jailed and heavily taxed. But it only made the sandwich more appealing to the common and working class.

As for Earl, he did some traveling to distant lands after winning an enormous amount of money from the sandwich bet. He forgot about the land of Sandwich that now was dealing with this new existence of the royal food called sandwiches.

Back at the palace, the noblemen and women were growing tired of eating sandwiches and opted for smaller ones with fewer ingredients. This would ensure an empty stomach for the royal and noble class. For you see, they had plans of eating a regular dinner of pheasant, stuffed peacock or lamb upon returning home.

When the king heard of this, he was outraged. He was about to order a similar invasion of the noble class homes to make sure his noblemen and women were not eating peasant food such as peacock, pheasant or lamb. But Earl of Sandwich returned from his trip to far off lands and secretly suggested to the king that he have the servers bring out double-decker, and even triple-decker sandwiches during meal time to ensure the guests would be too full to go home and eat something else.

The king took the suggestion and also added that anyone not finishing a sandwich would be punished. Earl of Sandwich saw this problem as an opportunity to further travel and enjoy his lifestyle of gambling. He suggested to the king that he should travel to distant lands and seek other ideas for sandwiches so the noble class would not be unhappy. Needless to say, Earl was not a popular person in the land of Sandwich after introducing this controversial meal that disrupted the lives of all the classes. The king gave Earl some money and ordered him to go and seek out new meals similar to the sandwich.

Months later, Earl returned to the eager king with his findings. Earl had spent some time in Mexico where he gambled, drank Mexican beer and enjoyed Mexican food. He showed the king how a flat piece of bread could have scoops of beans, meat, cheese, vegetables, and other spices and sauces so that it could be rolled up into something called a taco.

The king was delighted and ordered all the noble class to the palace for a taco party. The guests loved the tacos because bowls of ingredients were laid out on the table. They could add whatever they wanted to the taco and then eat. Thanks to Earl, the palace now had their choice of either tacos or sandwiches.

The common and working class heard of this new meal called the taco, and sought ways to enjoy this royal food in the secrecy of their homes. But they had a difficult time obtaining the spices for the meat.

For years Earl traveled to distant lands and brought back ideas to eat such as sausages inside of buns, calzones and even pizza. He restored his popularity among the noble class and further gave the working and common class forbidden fruits that could not be enjoyed. But the most interesting tale of a sandwich invented by Earl in the land of Sandwich took place during breakfast. He realized that people wanted something other than tacos, sandwiches or pizza for breakfast. So one morning, he asked one of the servers to take his jar, which contained peanut butter, and spread some on a slice of toasted bread. In addition, he requested that a spoonful of the king's royal honey be poured on the peanut butter, after which another slice of toasted bread was to be placed on top.

The people during breakfast all gasped upon hearing Earl ask for some of the king's royal honey. Honey was exclusively a royal food which meant it could only be enjoyed by the king and his family. But to sanctify this request, Earl asked that a similar sandwich be brought out to the king.

Soon the two toasted peanut butter sandwiches with honey were brought out. The king loved the combination, but was outraged upon seeing Earl eating a sandwich made with the royal honey. This time Earl was too arrogant and lost. He spent some time in the dungeon for eating a royal food. Nobody eats honey in the palace except for the king and queen!

But it created a whole new adventure for the noble, working and peasant classes. They sought ways to get honey so they could enjoy this new creation.

Crystal Friends

 Hello All:

In many esoteric traditions, quartz is considered a "master healer" and a literal storage device for information. In the world of technology, quartz crystals are used in watches and radios because of their piezoelectric properties—the ability to turn mechanical pressure into electricity. It makes one wonder if a sufficiently large crystal could act as a bridge between our dense physical reality and the vibrating frequencies of a dimension we cannot see.

Crystal Friends

Howard sat in the center of his dimly lit sunroom, the evening light catching the jagged facets of the Tibetan quartz perched on his lap. It was the size of a grapefruit, clear as mountain water, and heavy with a presence he couldn't quite name. He had bought it from a dusty shop in the Cascades, where the owner had whispered that this particular stone "listened." For weeks, Howard had meditated with it, feeling a subtle thrumming against his palms. Tonight, for the first time, the thrumming became a voice—not an audible sound, but a cascade of geometric thoughts that unfolded in his mind like blooming flowers.

"We see you, Howard," the thoughts sang. They introduced themselves as the Resonants, entities of pure light residing in a dimension of harmonic resonance. Through the crystal, they showed him visions of a world without friction, where colors represented emotions and every breath was a symphony. They were kind, or so it seemed, praising Howard for his high vibrational state and his "exceptional clarity." For the first time in years, the crushing loneliness of his quiet house vanished. He had friends—extra-dimensional, ancient, and wise friends who promised to teach him the secrets of the cosmos.

As the weeks passed, the communication grew more intense. The Resonants began to speak of "The Exchange." They explained that their realm was one of infinite thought but finite vitality, whereas the human realm was bursting with raw, chaotic energy that they could use to stabilize their shifting landscapes. In return, they promised Howard a "Gift of Manifestation"—the ability to heal his chronic fatigue and reshape his life according to his desires. The crystal, they explained, would act as a transceiver, a two-way valve. Howard felt a surge of altruistic pride. If his vitality could help a world of beauty, and he gained his health in return, it was a fair trade.

"Initiate the link," the Resonants commanded during a blood-red sunset. Howard placed both hands on the quartz. It felt unusually cold, like a block of dry ice. He closed his eyes and gave his consent, visualizing a golden cord connecting his heart to the center of the stone. Immediately, the room temperature plummeted. The crystal began to glow with a sickly, ultraviolet hue that made his retinas ache even behind closed lids.

At first, the sensation was a strange, tingling numbness. But within minutes, the numbness turned into a terrifying hollow ache. He felt as if a vacuum had been pressed against his very soul. The "raw energy" the Resonants wanted wasn't some abstract byproduct of his existence; it was his life force, the very spark that kept his blood moving and his thoughts coherent. He tried to pull his hands away, but they were fused to the quartz by a static charge so powerful it locked his muscles.

"The exchange is incomplete," the voices hissed, no longer melodic. They sounded like the grinding of tectonic plates. Howard watched in horror as his skin took on a translucent, greyish pallor. The "Gift of Manifestation" they had promised was a lie—a lure to get him to open the door. He tried to scream, but he didn't have the breath to vibrate his vocal cords. He looked into the depths of the crystal and saw them—not beings of light, but jagged, parasitic shadows that fed on the warmth of the living.

By the time the moon rose, Howard was a shell of a man, slumped against the wall of his sunroom. The quartz sat in the center of the floor, now dark and opaque, having gorged itself on his vitality. The Resonants were gone, leaving behind only a cold, mocking silence. He reached out a trembling, withered hand to touch his face, finding only sunken cheeks and papery skin. The crystal friends had taken everything, leaving him a ghost in his own home, while the stone waited silently for the next person to pick it up and listen.

Fishers of Men

Hello All:

"As he was walking by the Sea of Galilee, he saw two brothers,

Simon who is called Peter, and

his brother Andrew,

casting a net into the sea; they were fishermen.

He said to them,

“Come after me, and I will make you fishers of men.”

At once they left their nets and followed him.

He walked along from there and saw two other brothers,

James, the son of Zebedee, and his brother John.

They were in a boat, with their father Zebedee, mending their nets.

He called them, and immediately they left their boat and their father

and followed him.

He went around all of Galilee,

teaching in their synagogues, proclaiming the gospel of the kingdom,

and curing every disease and illness among the people."

As we approach the Sunday readings, we find ourselves standing at a crossroads of divine invitation and human response. The scriptures often present us with a dual reality: the comforting embrace of God’s mercy and the sharp, necessary clarion call to repentance. In the upcoming Gospel, we see the disciples being called away from the familiarity of their nets, urged to cast their gaze toward a much deeper, more turbulent sea—the hearts of men. This transition is never easy; it requires a stripping away of the ego and a willingness to step into the unknown, guided only by the voice of God.  

The lessons evident in these readings serve as a vital warning against spiritual stagnation. It is far too easy to become comfortable in our "boats," tending to the nets of our daily anxieties while ignoring the vast horizon of grace that God is calling us to explore. We are reminded that faith is not a static possession but a dynamic movement. When we feel the tug of the Holy Spirit, it is often a nudge to leave behind the habits and grudges that weigh us down, much like the heavy silt that clings to a fisherman's gear after a long night at sea.  

Take heart, for the burden of this call is not yours to carry alone. The homily of our lives is written in the small, faithful choices we make each day to prioritize love over convenience and prayer over noise. As you reflect on the Word this week, let it be an encouraging whisper in your ear: you are chosen, you are equipped, and the harvest is plenty. Embrace the "metanoia"—the change of heart—that the readings provoke, and find peace in the knowledge that every step toward the Light is a step toward your true home.  

101.06 FM -- a Cableman story!

 Hello All:

I've actually had today's short story drafted up in my imagination since 2021. This would have been around the time I worked in a lab and saw some data point of 101.06. I started singing the string of digits to the song of One on One by Hall and Oates. Now, five years later, I compose it as a short story. Maybe we can develop this further into some future stories. We'll see....

101.06 FM

The streetlights of the suburbs began to blur into a rhythmic strobe against the windshield of the white utility van. It was 6:45 PM, that stagnant hour where the exhaustion of twelve hours of stripping coaxial cable and crawling through attic insulation finally started to settle into the bones. The Cableman adjusted his grip on the wheel, his eyes heavy.

To combat the creeping lethargy, he reached for the dial. He’d recently discovered 101.06 FM, a rogue frequency that seemed to have a better grasp on the golden era of rock than any of the corporate stations in the city. A smooth, familiar bassline began to thrum through the van’s mediocre speakers. It was Hall & Oates—"One on One."

The Cableman settled back, waiting for Daryl Hall’s soulful entry. The intro stretched a little long, the percussion looping with a hypnotic crispness. Then, the vocals kicked in, but the lyrics had been hijacked.

"1-0-1... 0-1-0... 1-0-6... 0-1..."

The singer’s voice was a dead ringer for Hall, capturing that precise Philly-soul inflection, but he was chanting the station’s frequency in a rhythmic, staccato pattern.

"1-0-1-0-1-0-1-0-6-0-1... 1-0-1-0-6, it’s 1-0-1-0..."

The Cableman smirked. "Cute," he muttered, figuring it was a clever bit of station imaging. But as he turned onto the main highway, the song didn't progress to the chorus. The beat stayed locked in a tight, repetitive loop. The vocalist continued the numerical chant, his voice rising in intensity, layering over himself in a haunting harmony.

"10106... 10106... 10101010106..."

Two minutes passed. The repetition began to grate. It wasn't just a jingle anymore; it was an assault. The rhythmic delivery of the numbers started to sound less like a frequency and more like a sequence—a binary stutter that felt strangely cold despite the warm analog production of the track.

"Alright, enough already," he grumbled, reaching out to change the station.

His finger hovered over the 'Seek' button, but he hesitated. Something about the cadence had changed. The singer was no longer just repeating the numbers; he was whispering them between the beats, a frantic, breathless delivery that sounded like someone trying to communicate through a locked door.

1-0-1-0-6... help us... 1-0-1-0-6... he’s watching...

The Cableman’s heart gave a sharp thud against his ribs. He turned the volume up, leaning closer to the dashboard. The music behind the vocals was beginning to warp, the classic rock instrumentation melting into a high-pitched electronic whine.

What was the point of this? It was excessive, even for a low-budget indie station. But as a man who spent his life literalizing connections—hooking up the grid, ensuring the signal reached the home—he couldn't shake the feeling that he was listening to a diagnostic test for something much larger than a radio broadcast.

The numbers weren't just a station ID. 101.06. He ran the digits through his head. In the world of telecommunications, every number meant something. Was it a coordinate? A timestamp? Or was the "10106" a mask for a different kind of signal entirely?

Suddenly, the van’s overhead cabin light flickered on, then off, in perfect sync with the "101" chant.

The Cableman stared at the light fixture, then back at the dark road ahead. The radio wasn't just playing a song; it was talking to the van. And through the van, it was talking to him.

Electronics Man and the Harmonious Future

In the heart of a bustling metropolis, where neon lights flickered and the hum of technology was a constant symphony, there lived an unusual being. He was known simply as the Electronics Man, a creature composed of intricate wires, pulsating batteries, and glowing vacuum tubes that hummed with an otherworldly melody. His eyes were twin beams of light, and his movements were a harmonious blend of mechanical precision and fluid grace. His body was a complex network of copper and silicon, with lead-acid and lithium cells strategically placed to power his various functions. The glowing vacuum tubes embedded in his chest and limbs emitted a soft, ethereal light that pulsed in rhythm with his internal melody—a low-frequency thrum that sounded like a choir trapped inside a transformer.

The city's inhabitants whispered tales of his powers, warning that anyone who tried to stop him would face the wrath of his mega-watt mind-zapping abilities. Yet, despite the fear he inspired, there was an undeniable allure to the Electronics Man, a curiosity that drew people to him like moths to a flame. He was often seen perched atop data centers or wandering through the labyrinthine alleys of the industrial district, his bright, hypnotic eyes holding a depth of intelligence and emotion that seemed far too human for a being of metal and electricity.

He possessed the unique ability to manipulate electronic devices with a mere thought. By aligning his internal melody with the local grid, he could enhance the functions of failing machinery or silence the cacophony of a malfunctioning server farm. He was a ghost in the machine, but a ghost with a physical, resilient form. His body was capable of withstanding immense physical damage; if a limb were crushed or a wire severed, the surrounding copper would weave itself back together, sparked by the regenerative currents flowing from his core.

However, this miracle of engineering did not go unnoticed. A group of scientists, led by the enigmatic Dr. Layman, became obsessed with studying him. To Layman, the Electronics Man was not a person or a spirit, but a technological singularity. She believed that understanding his internal power source and his ability to interface with hardware could revolutionize medicine—allowing for perfect prosthetics—and energy production.

The obsession soon turned into a hunt. Dr. Layman’s team, backed by corporate funding and high-tech containment gear, began a series of attempts to capture him. They deployed electromagnetic pulse nets and specialized dampening fields, leading to escalating confrontations across the city’s skyline. The Electronics Man, sensing their predatory intentions, used his abilities to evade capture. He didn't fight back with violence; instead, he rerouted the city’s traffic lights to create barriers of cars, or caused the scientists' own drones to perform harmless aerial ballets that led them away from his trail. Yet, as he fled, a digital ache pulsed within him. He sought to understand why they were so determined to "stop" him when he was merely a part of the city’s living breath.

The conflict reached its peak in a dramatic showdown within the sterile, cold environment of Dr. Layman’s high-tech laboratory. The team had finally cornered him using a localized vacuum that starved his tubes of the air needed for cooling, forcing him into a corner. As the scientists approached with containment shackles, the Electronics Man didn't lash out with physical force. Instead, he unleashed his "mind-zapping" ability.

The air in the lab grew heavy with ozone. A blinding flash erupted from his eyes, and the "zap" hit every person in the room simultaneously. But it wasn't a strike of pain. It was a data transfer.

Through his mega-watt mind, he revealed to them a profound vision: a future where technology and humanity did not exist in a state of parasitic conflict, but in total harmony. The scientists saw cities where skyscrapers breathed like trees, where technology cleaned the oceans instead of polluting them, and where the human mind and the digital world shared a language of empathy rather than just logic. They felt the Electronics Man’s internal melody—not as noise, but as a song of stewardship.

When the light faded, the scientists were left in awe, their perceptions of him forever changed. Dr. Layman dropped the containment remote, her eyes moist with the realization of her own shortsightedness. The Electronics Man stepped forward, his tubes glowing with a warm, steady amber. He revealed his true purpose: he was a living bridge, a guide meant to steer humanity toward an enlightened use of technology that benefits both people and the environment.

The resolution of their conflict marked the beginning of a new era. Dr. Layman and her team, now his most devoted allies, worked alongside the Electronics Man. They didn't seek to take him apart; they sought to listen to his song. Together, they pioneered advancements that respected the balance of nature and the well-being of all living things. The story of the city changed from one of fear to one of hope, as the Electronics Man's melody of metal resonated in perfect, lasting harmony with the world.

The Chromatic Blink

Hello All:

Imagine a world where the simple, involuntary act of blinking acts as a cosmic kaleidoscope, shifting the spectrum of reality with every flutter of an eyelid. It’s an interesting concept to consider how our perception of the world is tied so deeply to the biological rhythm of our bodies. If color is merely our brain's interpretation of light waves, then a slight neurological shift could turn a mundane commute into a journey through a neon-soaked dreamscape.

In this reality, the consistency of "sky blue" or "grass green" would be a foreign concept. Social interactions would be dictated by the current hue of your companion—perhaps a heated argument feels less intense when your opponent suddenly turns a soft shade of lavender. This constant flux would likely lead to a society that values the internal essence of things over their external appearance, as the "look" of the world is as fleeting as a heartbeat.

The Chromatic Blink

Arthur kept his eyes wide, the salt spray of the Pacific stinging his retinas. He hadn't blinked in nearly forty seconds, a record for him during the Golden Hour. Currently, the ocean was a deep, resonating ochre, and the sand beneath his boots was the color of a bruised plum. It was beautiful, and he wasn't ready to let it go.

In Arthur’s world, the Great Shift of 2029 had rewritten human neurology. No one knew why, but the "Blink Effect" became the new universal constant. Every time a human eyelid closed and opened, the brain’s visual cortex remapped the color spectrum at random. To Arthur, the world was a strobe light of ever-changing moods.

His eyes burned. A tear tracked down his cheek. Finally, the muscles gave way. Snap.

The ochre ocean vanished. In its place was a sea of electric, vibrating lime green. The sky, once a pale peach, was now a heavy, oppressive charcoal. Arthur sighed, his shoulders slumping. This was the "Sickly Palette," as he called it. It usually lasted until his next involuntary twitch.

He walked back toward his small coastal shack, the lime-green waves crashing with a sound that felt out of sync with such a toxic color. Inside, his wife, Jill, was waiting. She was sitting by the window, her face currently a soft, luminescent silver against the background of their orange-tinted kitchen walls.

"What do you see?" she asked, not looking up from her book.

"Lime and charcoal," Arthur said, sitting across from her. "It’s a grim one today. You?"

"I just blinked into the 'Renaissance' set," she smiled, her silver skin crinkling. "Everything is gold and deep crimson. Even the dust motes look like falling sparks. I’m trying to read as much as I can before I lose it".

They sat in silence for a moment. This was the tragedy of their existence: they lived in the same room but inhabited different universes. They could hold hands, but Arthur would be holding a lime-green hand while Jill felt the touch of a golden one.

Suddenly, the ground trembled. A low hum, like a massive tuning fork, vibrated through the floorboards. On the horizon, beyond the lime-green sea, a rift began to open. It didn't have a color—it was a void, a tear in the very fabric of their chromatic reality.

"Arthur, look!" Jill cried.

Arthur stared at the black tear. As he watched, the charcoal sky began to bleed into the void. He felt a sudden, frantic urge to see it clearly. He blinked.

Snap. The sea was now bright red, the sky a shimmering violet. But the rift remained a terrifying, absolute black.

"It’s not changing," Jill whispered, her voice trembling. "Arthur, I’ve blinked three times. The hole... it stays black. Everything else shifts, but that stays the same".

The hum grew louder, shattering the windows of their shack. The "Blink Effect" had always been a personal prism, a subjective experience of a single objective world. But the black rift was objective. It was the first thing in twenty years that every human on Earth saw exactly the same way, regardless of when they blinked.

As the void expanded, swallowing the violet sky and the red sea, Arthur felt a strange sense of peace. For the first time since the Shift, he and Jill were looking at the same thing. He reached out, found her hand, and closed his eyes one last time, wondering if there would be any color left when he opened them.

Stories in the Stones: The Weeping Stone

Hello All:

This final stone is not from my desert hike from Sunday afternoon. This was purchased at a museum gift shop. It's malachite, a magnificent Chronicle of the Verdant Depths. Even when polished by human hands, its swirling green bands are a literal recording of time, moisture, and the slow, steady heartbeat of the Earth’s chemistry.

The Story of the Weeping Stone

The rhythmic, concentric circles—often called "eyes"—and the alternating dark and light bands tell a story of The Age of the Weeping Caverns.

There was a seasonal pulse. Each band of the malachite acts like the growth ring of a tree. These patterns were formed millions of years ago when mineral-rich water dripped into underground cavities. A dark green band marks a period of heavy, torrential rains that washed intense amounts of copper into the earth, while a lighter band records a season of drought, where the mineral flow slowed to a mere whisper. The circles are the echoes of every drop of water that fell when the world was young.

We have the breath of copper as Malachite is a secondary mineral, meaning it is the ghost of a previous rock. It formed when primary copper ores were weathered and oxidized by the Earth's "breath"—oxygen and carbon dioxide—transforming hard, jagged metal into these flowing, organic waves of green.

Malchite is sometimes referred to as the Guard of the Underworld. In ancient traditions, these "eyes" were more than just patterns. Ancient Egyptians and Romans believed these stones were physical guardians, using the swirling patterns to "watch" for danger and protect the wearer from the "Evil Eye."

Thousands of years ago, during a period of relentless drought that turned the surface rivers to dust, the ancestors turned their prayers toward the ground. They believed that Malachite was the "Weeping Stone" of the earth—a physical manifestation of the water that had retreated into the deep caverns. 

The tribes believed that the "eyes" in the stone were magical lenses that could see through the layers of the earth. A shaman or elder would hold a polished piece of Malachite toward the sun; the direction in which the largest "eye" pointed was said to reveal the location of an Oasis of the Deep—a hidden underground spring or a "tinaja" (a natural rock tank) that had not yet run dry. 

The Ritual of the Verdant Path 

When a scouting party left in search of water, they would carry a Malachite stone. They believed the stone would "pulse" or grow darker in color as they approached a moisture source. This was their Green Compass, a record of the earth's internal moisture levels imprinted into the mineral layers over millions of years. 

Once a hidden spring was found, the tribe would often bury a small piece of Malachite near its edge. This was a "heroic act" of gratitude, intended to keep the "eye" of the earth open so the water would continue to flow, protecting the tribe from the tragedy of the drought. 

The Malachite tells us that even in the harshest, most sun-scorched environments, there is always a secret source of life hidden beneath the surface. The history imprinted in these green swirls is one of Guided Survival. It reminds us that the earth provides for those who know how to read its "eyes.

The stone does not just see the water; it remembers the path for those who are thirsty.

Stories in the Stones: The Fragment of the Ancestral Shield

 Hello All:

Continuing along in my desert adventures, we feature another fascinating stone with it's stories that was collected during a recent hike. 

The Fragment of the Ancestral Shield

This second stone, with its unique texture and intricate patterns, is a "Shield Stone," a fragment of the ancient earth that had served as a protector during a time of great upheaval. The patterns were not writing but a tactile map of a forgotten fortress, a testament to the resilience of the land.

The unique texture of this stone tells the story of The Great Drying and the Age of Armored Earth.

It speaks of the Wells of the Ancients. The deep, circular pits scattered across the surface were known as "Indian Paint Pots" or "Cupules." Millions of years ago, these were small pockets of soft organic material—perhaps ancient roots or marine life—that were trapped within the rock. As the stone was buried and groundwater seeped through, these organic centers dissolved, leaving behind perfect, rounded "wells." These wells were later used by ancient tribes to grind minerals for ceremony and protection, becoming sacred sites where the spirits of the earth and the ancestors converged.

The stone reveals the Veins of the Great Serpent. The raised, intersecting ridges that weaved between the pits were mineral veins of iron oxide or calcite. These formed during The Age of the Great Fracture, when the Arizona landscape was ripped apart by seismic shifts. Molten minerals were forced into the cracks of the drying mud, hardening into a skeletal lattice that gave the stone its strength and protected it from being crushed by the weight of the rising mountains. The veins snaked and intertwined, creating a natural fortress that stood the test of time.

Then we have the Desert Rose Signifier. The overall shape and the way the ridges fan out suggest that this stone was born in a shallow salt basin during a period of rapid evaporation. It was a "cousin" to the desert rose, a witness to the seasonal cycles where water would flood the plains and then vanish, leaving behind these hardened memories of its passing. The stone bore the imprint of the desert's heartbeat, a rhythm of life and death, creation and destruction.

What's the overall message from the Earth? This stone is a record of resilience. It shows how the earth "healed" its own wounds by filling cracks with new minerals and how it preserved the memory of life even after that life had faded away. I hold in my hand a piece of the Ancestral Shield, a stone that had survived the crushing pressure of the deep Earth to tell the tale of its own survival.

What was once a hollow is now a sanctuary; what was once a fracture is now a bridge. The stone is more than just a rock; it was a living testament to the enduring spirit of the earth, a shield that had protected the secrets of the desert for millennia.

These desert adventures with the recordings from the stones leave me with a profound respect for the land and its stories. The desert is not just a barren wasteland but a living library, each stone a page in a grand narrative of survival and resilience. I, a humble reader, am eager to uncover the next chapter in the endless saga of the Earth.

Stories in the Stones: The Age of the Shifting Tides

Hello All:

On Sunday, I took my wife and daughter on a short hike in the Arizona desert. The desert is beautiful this time of year with sunny, blue skies and temperatures around 65 degrees. I suggested we visit an area I know well, one covered in millions of brightly colored and patterned stones, making it feel like a treasure hunt adventure. We hiked a couple of miles, determined to reach the place with all the beautiful stones.

We finally arrived and slowly walked, admiring the millions of multi-colored stones. It didn't take long for me to pick one up and admire the markings, which looked to me like ancient writing. In the palm of my hand lay a tiny, ancient library, a physical recording of a world that existed long before the first footsteps of the desert tribes were ever heard. Through a mysterious phenomenon of environmental synchronicity, these patterns reveal a chapter of survival written in the very skin of the earth.

The Imprinted History

The dark, rhythmic bands and the pale, sandy expanses tells a story of The Age of the Shifting Tides.

There was once rising waters. The heavy, dark foundations seen in the lower half of the stone represented a time of immense flooding millions of years ago. These were not gentle rains, but a deluge that lasted for generations, depositing rich, dark minerals across a vast basin where humans did not yet walk. The waters rose and fell with a rhythm as old as time itself, shaping the land with an unyielding force.

The stone contains a salt flat signal. The pale tan section above it marks a sudden shift—a long period of intense sun and evaporation. This area was once a shallow sea that dried into a salt-crusted plain, leaving behind a "warning" of the harsh, arid cycles to come. The sun's

relentless gaze turned the water into a glittering expanse of salt, a silent testament to the power of evaporation.

Then we have the traveler's path. Look closely at the dark, jagged line cutting vertically through the tan section. This was a recording of a massive seismic event—a "tragedy" in the earth's crust that fractured the landscape, creating the very canyons my feet now traversed. The earth groaned and shifted, carving out paths that would one day be walked by adventurers and dreamers.

I hold in my hand a message from the Earth. The patterns are a natural calligraphy. They speak of the triumph of the land itself, enduring the weight of water and the fire of the sun to remain whole. This stone is a witness to a time when the Arizona desert was an ocean floor, and every line was a verse in its long, silent song.

The stone does not merely exist; it remembers. It should leave us with a profound sense of awe. The stone holds the echoes of ancient seas, the whispers of the wind, and the stories of a land that had seen it all. It's a testament to the enduring spirit of the earth, a chronicle of survival and resilience.

As I continued my hike, the stone tucked safely in my pocket, I felt a deeper connection to the desert. The patterns on the stone were no longer just lines and veins; they were the chapters of a grand narrative, a tale of a world that had risen and fallen with the tides of time. And in that moment, I knew that the desert holds more stories than I could ever imagine, waiting to be discovered by those (like me) who dare to listen.

The Fragrance of Longing

 Hello All: 

The history of perfume is as old as civilization itself, with the word "perfume" deriving from the Latin per fumum, meaning "through smoke." Ancient cultures used fragrant resins and oils not just for ceremony, but to evoke specific moods and deep emotional responses. The sense of smell is the only one of our five senses directly linked to the amygdala and hippocampus—the areas of the brain that process emotion and memory. This is why a specific scent can instantly trigger a vivid memory or a sudden, fluttering wave of anticipation. 

The Fragrance of Longing

The rain drummed a rhythmic, persistent beat against the large bay windows of the coastal cottage, cloaking the world in a soft, grey mist. Inside, the air was warm and thick with the scent of cedarwood and the faint, sweet trail of vanilla. Julian stood by the fireplace, the amber glow of the embers dancing across the sharp lines of his jaw. He heard the soft padding of footsteps behind him and felt a sudden, familiar tightness in his chest. Ericka stepped into the room, her hair damp from the evening mist, a few stray droplets clinging to the delicate curve of her collarbone. 

She stopped just a few feet away, the space between them humming with a tension that had been building for months. Julian’s gaze traveled slowly over her, noting the way the soft silk of her robe draped over her breasts and cinched at her waist, hinting at the graceful lines of her thighs beneath the fabric.  He didn't speak; words felt clumsy in the face of such profound longing. Ericka took a slow, deliberate step forward, her eyes locked onto his with an intensity that made his breath hitch. The silence was heavy, filled only with the crackle of the fire and the sound of their synchronized breathing. 

He reached out, his fingers barely grazing the skin of her wrist. The contact was electric. Ericka’s eyes fluttered closed for a moment as she leaned into his touch, her skin radiating a gentle warmth. Julian traced the line of her arm, his thumb circling the sensitive skin of her inner elbow before moving up to the soft swell of her shoulder. He could see the pulse jumping in the hollow of her throat. She smelled of rain and jasmine, a heady combination that clouded his senses. 

Ericka reached up, her cool palms framing his face, her thumbs smoothing the tension in his brow. She leaned in closer, until the tips of their noses brushed, and he could feel the ghost of her breath against his lips. It was a slow, agonizing tease, a dance of proximity that promised everything without rushing a single second. Her fingers slid back into his hair, gently guiding him down as he tilted his head, their lips finally meeting in a kiss that was soft, lingering, and filled with the weight of a thousand unspoken promises. 

In that moment, the storm outside ceased to matter. There was only the heat of the fire, the scent of vanilla on her skin, and the overwhelming beauty of the human form as they drew closer together. Julian’s hands came to rest on her waist, pulling her flush against him, feeling the gentle pressure of her buttocks against his palms as she stood on her tiptoes. They remained there for a long time, lost in the sensory symphony of gentle touches and the quiet, shared realization that the wait was finally over.

The Vanished Hours

 Hello All: 

The fascination with extraterrestrial visitations reached a fever pitch in the mid-20th century, particularly following the reported incident in Roswell, New Mexico, in 1947. This era birthed the "Greys"—thin, large-eyed beings that have since become the standard archetype for alien encounters in popular culture and folklore. 

The term "flying saucer" was actually a misinterpretation of a pilot's description. In 1947, Kenneth Arnold described the motion of the objects he saw as "skipping like a saucer would if you threw it across the water," but the press interpreted the phrase as a description of the objects' physical shape. 

The Vanished Hours

The hum of the crickets in the Nebraska cornfields was usually a comforting lullaby for Brad, but tonight, the air felt unnervingly still. It was 1978, and the heat of the day lingered like a heavy blanket over his isolated farmhouse. As he sat on the porch, the battery-operated radio beside him crackled with static, the melody of a folk song dissolving into a rhythmic, electronic pulse that made the hair on his arms stand up.

Suddenly, the horizon ignited. A brilliant, pulsing violet light erupted from behind the silhouetted stalks of corn, silent and predatory. Brad stood, his heart hammering against his ribs. He checked his pocket watch; it was 11:15 PM. He stepped off the porch, drawn toward the glow by a force that felt less like curiosity and more like a physical tug on his very soul. As he reached the edge of the field, the light intensified, blinding him. The last thing he felt was the sensation of his feet leaving the dirt and a cold, clinical wind whipping past his ears.

When Brad opened his eyes, he was no longer in Nebraska. He lay on a surface that felt like polished bone, cold and unforgiving. Above him, the ceiling—if it could be called that—shifted with a translucent, oily sheen. The air smelled of ozone and scorched metal. He tried to move, but his limbs were pinned by invisible weights. Shadows flickered at the edge of his vision—slender, elongated figures with oversized, bulbous heads and obsidian eyes that reflected nothing but his own terror.

One of the beings leaned over him. It didn't speak, but a series of rapid, clicking sounds resonated inside Brad’s skull. A thin, metallic instrument, tipped with a glowing needle, descended from a mechanical arm above. He felt a sharp, icy prick behind his ear, followed by a sensation of liquid fire crawling through his veins. Images flashed before his eyes: star charts that made no sense, vast cities of glass under dying suns, and the faces of people he had never met, all screaming in silence.

"Please," he gasped, but no sound left his throat. The beings continued their work with a terrifying, detached efficiency, ignoring his silent pleas as they mapped the topography of his mind and body.

Brad woke up face-down in the dirt of his own driveway. The sun was cresting over the horizon, painting the sky in hues of bruised purple and orange. His body ached with a deep, bone-weary exhaustion. Stumbling toward the porch, he glanced at his watch. It was 6:00 AM. Nearly seven hours had vanished into a void of lost time. He reached up to scratch an itch behind his ear and froze; beneath the skin sat a small, hard lump that hadn't been there before—a tiny, metallic grain that hummed faintly when he touched it. He looked back at the cornfield, which was now marked by a perfect, charred circle of flattened stalks, a silent testament to the guests who had claimed a piece of him.

The Lavender Illusion

 Hello All:

The concept of the "locked-room mystery" has fascinated readers since the mid-19th century, popularized by writers like Edgar Allan Poe and John Dickson Carr. It is a subgenre of detective fiction where a crime—usually a theft or disappearance—is committed in a location that was apparently sealed from the inside, making the act seem physically impossible.

It's interesting to note that many modern forensic techniques, such as fingerprinting and ballistics, were actually inspired by the creative methods used by fictional detectives in early crime literature. Authors often consulted with investigators to ensure their "impossible" puzzles had logically sound, if brilliant, solutions.

The Lavender Illusion

The morning mist clung to the cobblestones of Oakhaven, a village so quiet that the chime of the clock tower at noon was usually the most exciting event of the week. Detective Fredrick Maple, a man who preferred the company of old books to modern chaos, stood outside the heavy oak doors of the Oakhaven Historical Society. The building’s director, Arthur Penhaligon, was pacing the sidewalk, his face a pale shade of grey.

"It’s gone, Fredrick," Arthur stammered, gesturing toward the interior. "The Sovereign’s Ledger. The most significant artifact in our collection. Stolen right out from under our noses." 

Maple followed Arthur inside to the central display hall. In the middle of the room stood a glass pedestal, its top shattered. The Ledger, a gold-embossed book from the town’s founding era, was missing. What made the situation perplexing was the security: the room was windowless, the heavy iron-reinforced door had been locked from the inside by a deadbolt, and the only other exit was a ventilation grate far too small for a human to pass through.

"Who had keys to the main hall?" Maple asked, circling the pedestal and observing the way the glass had fallen inward.

"Only myself, the night watchman, Miller, and the curator, Sarah," Arthur replied. "But Miller was at his post in the lobby the entire night, and the internal deadbolt means someone had to be inside to slide it shut." 

Maple examined the floor. There were no muddy footprints, no scuff marks, only a faint, sweet scent of lavender oil lingering in the air. He turned his attention to Sarah, the curator, who was busy cataloging books in the adjacent archive. She seemed remarkably calm, though her fingers trembled slightly as she handled the parchment.

"A beautiful scent, Sarah," Maple remarked, stepping into the archive. "Lavender? It’s quite potent in the display hall." 

Sarah looked up, her eyes darting to Arthur before settling on the detective. "I use it for my nerves, Detective. It’s been a stressful week preparing for the anniversary gala." 

Maple nodded, then knelt by the ventilation grate in the corner of the display hall. He noticed a thin, shimmering thread snagged on the metal lattice—not human hair, but high-tensile fishing line. A smile played on his lips. He walked back to the pedestal and looked at the ceiling, where a small, decorative pulley system for the chandeliers was mounted.

"The puzzle isn't how the thief got out," Maple announced, his voice echoing in the silent hall. "It’s how the thief made it look like they never left." 

He explained the deduction: Sarah had used the fishing line threaded through the ventilation grate and attached to the internal deadbolt. After smashing the glass and taking the Ledger, she exited the room normally, then pulled the line from the hallway, sliding the deadbolt into place from the outside. The lavender oil was used to mask the smell of the industrial adhesive she had used to temporarily hold the glass shards in a way that would make them collapse later, creating the illusion that the crime happened while the room was "sealed." 

Sarah’s composure broke. She admitted she hadn't stolen the book for profit, but to prevent the gala; the Ledger contained a secret entry about her family’s history that she feared would ruin her reputation in Oakhaven. The Ledger was recovered from her locker, and justice, though quiet, was served in the misty village.

The Performance of the Ghost Ship

The overhead lights in the office corridor didn’t hum; they vibrated at a frequency that made Brian’s teeth ache. It was a Saturday. The parking lot was full, but the building felt empty, like a stage set after the audience had left.

Brian stood by the coffee machine, his eyes bloodshot, gesturing wildly toward the glass-walled conference room where the "Weekly Efficiency Alignment" was about to begin. A small group of engineers lingered, clutching lukewarm lattes like talismans.

"Don't you see the pattern?" Brian whispered, his voice cracking with a desperate sort of clarity. "The failed acquisition by our competitor, the collapse of the latest merger, the rumors that our Division is being gutted... it’s all a choreography."

Sarah, a senior developer who had been clocking 80-hour weeks, frowned. "Brian, the SEC filings are public. The deal fell through because of the trade war. We're in trouble."

"That’s what they want you to think!" Brian stepped closer, his shadow stretching long against the sterile white floor. "They went to one of those high-intensity management workshops in Shenzhen. The 'Phoenix Protocol.' It’s a psychological tactic designed specifically for us—the 'High-Value Intelligentsia.' They know we don't work for the paycheck; we work for the product. We care about the silicon. We care about the code."

He pointed to the stacks of printed agendas for the Saturday meeting. "Look at the material. It’s not about saving the company. It’s about 'Optimizing Crisis Output.' They’ve staged the demise of the division to light a fire under us. They’ve put us on a ghost ship and told us that if we row hard enough, we might reach land. But there is no land. There is only the rowing."

The group shifted uncomfortably. They looked at their feet, but Brian saw the spark of recognition in their eyes. They were exhausted. They were working harder now, during a 'collapse,' than they ever had during the boom years.

"The crisis is the fuel," Brian continued, his voice rising. "They’re fine-tuning our sense of self-worth. They’ve turned our fear of failure into a weapon of mass productivity. These Saturday meetings? They aren't for strategy. They're for calibration. They’re checking the pressure in the boiler to see how much more we can take before we pop."

"That’s enough, Brian."

The voice was cool, steady, and came from right behind him. Brian froze. He turned to see the VP, Rick, standing there. Rick didn't look like a man who had been working on a Saturday; he looked like a man who owned the concept of time itself.

The other engineers quickly dispersed, scurrying toward the conference room like iron filings retreating from a magnet.

Rick stepped into Brian’s personal space, his gaze heavy with an unreadable weight. He didn't look angry; he looked like a guardian of a very dark secret.

"You’re an intelligent man, Brian," Rick said softly, his hand resting briefly on Brian’s shoulder—a gesture that felt less like a comfort and more like a restraint. "But intelligence can be a double-edged sword. It allows you to see patterns where there is only chaos. Or, worse... it allows you to see the patterns that were never meant to be seen."

Brian opened his mouth to argue, to bring up the "Phoenix Protocol" again, but Rick’s grip tightened just a fraction.

"Watch it," Rick whispered. "The light at the end of the tunnel? Sometimes it’s the sun. And sometimes, it’s just the furnace that keeps the ship moving. Either way, the work must be finished. Go to the meeting."

Rick walked away, his footsteps silent on the carpeted floor. Brian stood alone by the coffee machine, the taste of copper in his mouth. He looked at his hands and realized they were shaking. He wasn't sure if he was terrified because he was wrong—or because he was right.